The provided text, when analyzed through the lens of duality and the stated context of "medijski dostupne informacije o tome kako porodicu prica krunksoga pokusavaju da predstave javno a kako bliski rodjaci i suporteri se ponasaju," appears to be a critical commentary on the contemporary state and public perception of monarchist figures, specifically referencing the Karadjordjević family in Serbia. The author suggests that after more than a century and a half of "dynastic" and "ideological" struggles for material gain, monarchists are now exposed to the stark contrast between their proclaimed ideals and the current reality. The text highlights a perceived disconnect between the idealized image they attempt to project ("domaćina na imanju na brdu" - a master on a hill estate) and the actions of some close relatives and supporters, which undermine this image. The mention of "mitraljesce" (machine gunners) in the context of "nedolicne pesme duhovnih lica o koristenju oruzja" (inappropriate songs by spiritual persons about the use of weapons) and "bludnike" (debauchees) referring to the "brat Princa Krunskoga" (brother of the Crown Prince) points to specific controversies that publicly challenge the family's moral standing. The final line, "'Ista' pesma se ponavlja.... Vladicanstvo (visoka svestenicka titula) je 'spusteno' na nivo 'protinstva' (niska svestenicka titula)....", implies a degradation of their perceived authority or spiritual standing, suggesting a fall from grace or a diminishment of their once-exalted status to a more common or even debased level. This degradation is presented as a recurring theme, indicating a pattern of behavior or perception.

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The text critiques the Karadjordjević family's public image and the perceived hypocrisy within their ranks, highlighting the duality between their proclaimed aristocratic ideals and the controversial actions of some members and supporters. The phrase "После више од века и по од 'династичких' и 'идеолошких' борби за материјално монархисти су на ветрометини сопствених јасних слика и разлика прокламованога..далекога ....будућега ... и реалности даншњице која је иста као прошлост" suggests that after a long history of struggles, likely for wealth and power, the monarchists are now exposed to the harsh reality that their proclaimed noble ideals ("proklamovanoga...dalekoga...budućega") are far removed from their current reality, which is described as being "ista kao prošlost" (the same as the past), implying a failure to evolve or improve. This indicates a persistent struggle with their public perception and a failure to live up to their own standards.

The attempt to create an image of "domaćina na imanju na brdu" (a master on a hill estate) for the "rulja" (mob/common people) and even for themselves, while simultaneously being unable to avoid "mitraljesce" (machine gunners) and "bludnike" (debauchees), directly points to specific public relations challenges. The "mitraljesce" reference, clarified by "(nedolicne pesme duhovnih lica o koristenju oruzja)," likely alludes to controversies involving religious figures associated with the family who have engaged in inappropriate rhetoric or actions, particularly concerning violence. Such incidents would severely damage any attempt to project a peaceful or morally upright image. The mention of "bludnike (brat Princa Krunskoga)" directly implicates a close family member, the brother of the Crown Prince, in scandalous behavior. This specific detail is crucial as it directly contradicts the image of nobility and moral rectitude that monarchies often try to uphold. Publicly available information, such as discussions on forums like Krstarica, often delves into these very topics, scrutinizing the actions of royal family members and their associates [1].

The concluding statement, "'Ista' pesma se ponavlja.... Vladicanstvo (visoka svestenicka titula) je 'spušteno' na nivo 'protinstva' (niska svestenicka titula)....", reinforces the idea of a recurring pattern of moral or social decline. "Vladicanstvo" (episcopacy or high priestly title) being "spušteno" (lowered) to "protinstva" (a lower priestly rank) is a powerful metaphor for the degradation of their perceived status or spiritual authority. This suggests that the family, or those associated with them, have fallen from a position of high respect and influence to one of lesser standing, possibly due to their actions or the actions of their close circle. This decline is not presented as a new phenomenon but as a repeating "song," implying a cyclical nature of scandal and diminished public standing for the Karadjordjević family [1]. The duality here is evident in the contrast between the historical grandeur and the current perceived moral and social decline.

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