A Wrinkle in Time by Madeleine L'Engle: Book Summary and Student Study Guide
Chapter 1: Mrs. Whatsit
Summary
The novel opens during a stormy night with Meg Murry, a troubled and misunderstood teenager, lying awake in her attic bedroom. She goes downstairs to find her younger brother, Charles Wallace, an extraordinarily intelligent five-year-old, preparing hot chocolate. Their mother, a scientist, joins them in the kitchen. The family discusses the mysterious disappearance of Meg's father, who has been missing for over a year while working on a secret government project. During their midnight snack, an eccentric neighbor named Mrs. Whatsit arrives, mentioning something called a "tesseract" that visibly disturbs Mrs. Murry. After Mrs. Whatsit leaves, Meg's mother explains that a tesseract relates to her husband's scientific research but doesn't elaborate further.
Analysis
The opening chapter establishes the Murry family's unconventional dynamics and the central conflict of the father's disappearance. L'Engle introduces the concept of the tesseract—a scientific concept that will become the novel's central mechanism for space-time travel—while creating an atmosphere of mystery. The stormy setting mirrors Meg's inner turmoil and foreshadows the cosmic disturbances to come. This chapter also establishes the novel's blend of science fiction elements with domestic family life.
Key Quotes
- "It was a dark and stormy night."
- "I've been trying to think like Father. When he can't solve a problem, he just stops thinking about it, you know? Then, when he least expects it, the answer comes to him."
- "There is such a thing as a tesseract."
Character Development
Meg Murry: Introduced as insecure, stubborn, and defensive about her academic struggles and appearance. Her fierce loyalty to her family, especially her missing father, drives her character.
Charles Wallace: Revealed as extraordinarily precocious and intuitive for his age, with special abilities to understand people and situations.
Mrs. Murry: Portrayed as a dedicated scientist and mother who maintains the family despite her husband's absence.
Mrs. Whatsit: Appears as an eccentric old woman but hints at being something more remarkable.
Literary Elements
- Foreshadowing: Mrs. Whatsit's mention of the tesseract plants the seed for the novel's central scientific concept.
- Symbolism: The storm represents emotional and cosmic turmoil.
- Setting: The warm kitchen contrasts with the stormy night outside, establishing the theme of light versus darkness.
Discussion Questions
- How does L'Engle establish Meg's character in the opening chapter? What strengths and weaknesses do we see?
- What makes Charles Wallace unusual as a five-year-old? How do others in the family relate to him?
- What might the "dark and stormy night" symbolize beyond the literal weather?
- What clues suggest that Mrs. Whatsit is more than she appears to be?
Chapter 2: Mrs. Who
Summary
The next day, Meg returns from school after being summoned to the principal's office for her behavioral issues. She encounters her classmate Calvin O'Keefe, a popular high school junior who feels oddly drawn to the Murry home. Charles Wallace introduces Calvin to an abandoned haunted house where they meet another eccentric elderly woman named Mrs. Who, who speaks primarily in quotations from famous thinkers across different languages and time periods. Mrs. Who mentions meeting with Calvin and implies a connection to Mrs. Whatsit. Charles Wallace reveals that he, unlike others, has always been able to understand things intuitively. The three children return to the Murry house for dinner, where Calvin feels immediately at home despite coming from a large, neglectful family.
Analysis
This chapter further develops the sense of the extraordinary invading the ordinary. The introduction of Calvin creates a trio of protagonists: Meg (emotional), Charles Wallace (intuitive), and Calvin (socially adept). Mrs. Who's cryptic communication style using quotes from great thinkers across history suggests vast knowledge and wisdom beyond normal human capacity. The chapter establishes the theme of belonging, as Calvin immediately feels at home with the Murrys despite being an outsider in his own family.
Key Quotes
- "Like and equal are not the same thing at all!" (Mrs. Murry)
- "Differences create problems." (Charles Wallace)
- "The most beautiful experiences we can have are the mysterious." (Mrs. Who, quoting Einstein)
Character Development
Calvin O'Keefe: Introduced as outwardly popular but inwardly isolated. Despite his social success, he finds genuine belonging with the unconventional Murry family.
Mrs. Who: Appears as another mysterious elderly woman who communicates through literary quotations, suggesting she possesses ancient wisdom.
Meg: Her social difficulties are contrasted with Calvin's social ease, yet they form an immediate connection based on genuine understanding rather than superficial popularity.
Literary Elements
- Juxtaposition: Calvin's socially successful but emotionally empty home life contrasts with the Murrys' socially unusual but loving family.
- Allusions: Mrs. Who's quotes connect the story to a broader intellectual tradition spanning cultures and time periods.
- Motif: The "haunted house" represents a boundary between ordinary and extraordinary reality.
Discussion Questions
- Why might Calvin feel more at home with the Murrys than with his own family?
- What purpose might Mrs. Who's communication through quotations serve?
- How does L'Engle use the characters of Calvin and Meg to explore different types of isolation and belonging?
- What does Charles Wallace mean when he says "differences create problems"?
Chapter 3: Mrs. Which
Summary
After dinner, Charles Wallace, Calvin, and Meg follow Mrs. Whatsit's instructions and head back to the haunted house through the broccoli patch in the garden. There they reunite with Mrs. Whatsit and Mrs. Who, who are joined by a third mysterious figure, Mrs. Which, who initially appears as a shimmering light before taking a more corporeal form. The three women reveal that they have come to help find Mr. Murry, who has been captured and is in grave danger. Mrs. Which explains that they will travel through space using the fifth dimension, the tesseract, which is a way to fold space and time. Despite Meg's skepticism, the children agree to join the mission to rescue Mr. Murry. The women transform into supernatural beings, and all six prepare to "tesser," or travel through a wrinkle in time.
Analysis
This chapter marks the transition from the familiar world to the fantastical journey. L'Engle blends scientific concepts (the fifth dimension) with fantasy elements (the transformation of the Mrs. Ws), creating her signature style of science fantasy. The tesseract concept introduces the theme of transcending perceived limitations of reality. The chapter confirms the otherworldly nature of the three mysterious women, who are revealed to be celestial beings disguised as eccentric elderly ladies.
Key Quotes
- "Wwee Arre Hherre!" (Mrs. Which's first words)
- "Wild nights are my glory!" (Mrs. Whatsit)
- "We don't travel at the speed of anything. We tesser. Or you might say, we wrinkle."
Character Development
Mrs. Which: Appears as the most powerful and ancient of the three celestial guides, initially struggling to materialize fully in human form.
Meg: Her scientific skepticism is challenged as she confronts phenomena that defy her understanding of reality.
Calvin: Shows his adaptability and openness to extraordinary experiences, quickly accepting the supernatural elements.
Literary Elements
- World-building: The introduction of tessering as a method of space-time travel establishes the novel's cosmology.
- Imagery: The transformation of the Mrs. Ws into forms of light and energy creates a visual representation of transcendence.
- Suspense: The chapter ends with the children about to embark on their cosmic journey, creating anticipation.
Discussion Questions
- How does L'Engle blend scientific concepts with fantasy elements in her explanation of the tesseract?
- What qualities do each of the three Mrs. Ws represent? How do their personalities differ?
- How does Meg's relationship with science (as a daughter of scientists) affect her reaction to the supernatural events?
- What might the "haunted house" symbolize as a transition point between worlds?
Chapter 4: The Black Thing
Summary
The children experience tessering for the first time, a disorienting journey through another dimension. They arrive on the planet Uriel, a beautiful world with magnificent mountains and flower-filled meadows. Here, Mrs. Whatsit transforms into a magnificent winged centaur-like creature, revealing her true celestial form. She takes the children on a flight high above the planet, where they witness a great darkness—the Black Thing—partially covering the stars. The Mrs. Ws explain that this darkness is an evil force that threatens the entire universe, including Earth. They reveal that Earth is partly under the shadow of this darkness, but great figures throughout history have been fighting against it as "warriors of the light." These fighters include Jesus, Leonardo da Vinci, Shakespeare, Bach, Gandhi, Buddha, and even Mrs. Murry and Mr. Murry—the latter now trapped behind the darkness on another planet. Charles Wallace also perceives that stars can destroy themselves fighting the Black Thing.
Analysis
This chapter expands the scope of the story from a personal quest to find Mr. Murry into a cosmic battle between good and evil. The Black Thing represents universal evil and darkness that threatens all creation. L'Engle weaves together religious and philosophical concepts by listing various historical figures as "warriors of the light," suggesting that goodness transcends specific religious traditions. The revelation that stars sacrifice themselves fighting evil introduces the theme of self-sacrifice for a greater cause. The beauty of Uriel contrasts sharply with the darkness of the Black Thing, establishing the visual language of light versus shadow that will continue throughout the novel.
Key Quotes
- "It was a shadow, nothing but a shadow. It was not even as tangible as a cloud. Was it cast by something? There was nothing to cast it."
- "It's evil. It's the Powers of Darkness."
- "The stars are not going to last forever, each one giving off light and heat until it explodes or dies away."
Character Development
Mrs. Whatsit: Revealed as a former star who sacrificed her stellar existence fighting the Black Thing, adding depth to her seemingly frivolous personality.
Charles Wallace: Demonstrates his extraordinary perceptiveness by understanding cosmic truths beyond what others can comprehend.
Meg: Begins to grasp the magnitude of their mission and her father's importance in a universal conflict.
Literary Elements
- Allegory: The Black Thing functions as an allegory for evil across different cultures and belief systems.
- Imagery: The contrast between the golden beauty of Uriel and the darkness of the Black Thing creates powerful visual symbolism.
- Cosmic Perspective: The chapter shifts the scale of the narrative from personal to universal concerns.
Discussion Questions
- What do you think the Black Thing represents in our world?
- Why does L'Engle include figures from different religions and disciplines as "warriors of the light"?
- How does Mrs. Whatsit's revelation of her true nature change our understanding of her character?
- What does it mean that stars sacrifice themselves fighting the darkness?
Chapter 5: The Tesseract
Summary
Mrs. Whatsit returns the children to the others, and they prepare to continue their journey. To help Meg understand tessering, Mrs. Who gives her an analogy of an ant walking along a string, showing how folding the string (like folding space-time) allows instantaneous travel between distant points. The group tessers together to another planet called Orion's Belt, but the experience is disorienting and painful for Meg. On this planet, with thin air and strange surroundings, they see tall, almost transparent beings moving about. Mrs. Whatsit explains these are highly evolved beings without physical bodies. When the group prepares to tesser again, Mrs. Which warns that they will pass through the Black Thing. The experience is terrifying—Meg feels crushed by darkness and evil, separated from the others, and struggling to breathe. Charles Wallace holds her hand throughout, but Calvin becomes separated. Just when Meg thinks she cannot endure any more, they emerge onto the planet Camazotz, where Mr. Murry is imprisoned.
Analysis
This chapter delves more deeply into the scientific concept of the tesseract while also exploring the spiritual experience of confronting pure evil. The explanation of the tesseract using the ant and string analogy helps readers visualize the complex concept of space-time folding. The journey through the Black Thing represents facing evil directly rather than abstractly, showing how overwhelming and disorienting true darkness can be. The different planets visited represent different states of being and consciousness, with Orion's Belt showing beings who have evolved beyond physical form—contrasting with the controlled conformity they will find on Camazotz.
Key Quotes
- "You see, though we travel together, we travel alone."
- "We will go through the Black Thing, to your father."
- "Oh, if only I could be sure that he's all right!"
Character Development
Meg: Experiences true terror and evil during the passage through the Black Thing, showing her vulnerability while also revealing her endurance.
Charles Wallace: Demonstrates his protective nature by holding onto Meg during the journey through darkness.
Calvin: Shows growing attachment to Meg as he reaches for her during their difficult journey.
Literary Elements
- Scientific Metaphor: The ant on a string provides a concrete metaphor for the abstract concept of the tesseract.
- Sensory Description: L'Engle uses visceral, physical descriptions to convey the experience of facing evil.
- Foreshadowing: The difficulty of the tesser journey foreshadows the challenges they will face on Camazotz.
Discussion Questions
- How effective is the ant and string analogy in helping you understand the concept of a tesseract?
- What does the physical experience of passing through the Black Thing suggest about the nature of evil?
- Why might each character experience tessering differently?
- What significance might there be to the beings on Orion's Belt who have evolved beyond physical form?
Chapter 6: The Happy Medium
Summary
Before the children fully enter Camazotz, Mrs. Which takes them to another planet to consult the Happy Medium, a jolly woman with a crystal ball. Through the Medium's ball, they observe Camazotz, a planet entirely consumed by the Black Thing. The Medium shows them a vision of Earth, partially covered by darkness but still fighting. They also see a disturbing image of Camazotz: a city where children bounce balls and jump rope in perfect, mechanical unison. Any deviation is promptly corrected by the child's mother, creating an eerie conformity. The Mrs. Ws explain that Camazotz has surrendered to the Black Thing and is controlled by IT, a disembodied brain that enforces absolute conformity. The Mrs. Ws tell the children they must go to Camazotz alone to rescue Mr. Murry, as the women's light makes them too visible to the darkness. They give gifts to help: Mrs. Whatsit gives Meg her love, Mrs. Who gives Meg her glasses and quotes Goethe about darkness, and Mrs. Which reminds them that appearances can be deceiving.
Analysis
This chapter introduces the theme of conformity versus individuality that dominates the remainder of the novel. The synchronized children on Camazotz represent the horror of perfect sameness and loss of individuality. L'Engle presents evil not just as darkness, but as the elimination of difference and free will. The Happy Medium, despite her humorous name (a pun on the spiritual medium and being "moderately happy"), shows the children harsh truths they must face. The gifts from the Mrs. Ws appear insignificant but foreshadow how the children's inherent qualities—particularly Meg's stubbornness and emotions—will ultimately be their salvation rather than conventional weapons or powers.
Key Quotes
- "On Camazotz we are all happy because we are all alike."
- "Differences create problems."
- "Like and equal are not the same thing at all."
- "The foolishness of God is wiser than men; and the weakness of God is stronger than men." (Mrs. Who quoting Corinthians)
Character Development
The Happy Medium: Represents the tension between knowing difficult truths and preferring comfortable illusions.
The Mrs. Ws: Transition from active guides to mentors who must send the children forward alone, entrusting them with the mission.
Meg: Begins to understand that her perceived weaknesses may actually be strengths.
Literary Elements
- Satire: The mechanically perfect society of Camazotz satirizes authoritarian systems and conformist cultures.
- Symbolism: The bouncing balls represent enforced synchronization and loss of individuality.
- Gifts Motif: The seemingly modest gifts follow the fairy tale tradition of magical objects that aid the hero's quest.
Discussion Questions
- What makes the vision of children bouncing balls in perfect unison so disturbing?
- How does L'Engle distinguish between "like" and "equal" in the context of this chapter?
- Why do you think the Mrs. Ws cannot accompany the children to find Mr. Murry?
- What might Mrs. Who's quote about "the foolishness of God" foreshadow about how the children will overcome IT?
Chapter 7: The Man with Red Eyes
Summary
The children arrive on Camazotz and enter the eerily perfect city where everything is identical—identical houses, yards, and even the smell of identical meals being cooked. They witness a little boy being "corrected" for bouncing his ball out of rhythm with the others. When Charles Wallace tries to intervene, the boy's mother is terrified and rushes inside. Following their instincts toward the center of town, they find CENTRAL Central Intelligence, where they assume Mr. Murry is being held. Inside, they meet a man with bright red eyes who sits in a chair that pulses in rhythm with the bouncing balls outside. He speaks telepathically and tries to hypnotize them, claiming he can make them comfortable and happy. Charles Wallace, overconfident in his mental abilities, attempts to outwit the man but instead becomes possessed by IT, speaking robotically and losing his individuality. The man with red eyes reveals that their father is imprisoned but offers to take them to him if they submit to IT. When they refuse, the controlled Charles Wallace leads Meg and Calvin to the place where Mr. Murry is held captive.
Analysis
This chapter presents the full horror of conformity through the possession of Charles Wallace. The brightest and most intuitive of the three children becomes a mechanical puppet of IT, demonstrating that even exceptional intelligence is vulnerable to the seduction of conformity and comfort. The city of Camazotz represents a totalitarian dystopia where safety and comfort are achieved through the sacrifice of freedom and individuality. L'Engle explores how evil can appear benevolent and rational, offering security and the elimination of difference as apparent goods. The pulsing rhythm throughout Camazotz symbolizes the heartbeat of IT, controlling every aspect of life down to the children's play.
Key Quotes
- "But I think everyone is the same, isn't that right?"
- "Oh, why must you howl for freedom when I've shown you peace and security and happiness?"
- "For whether or not you mean to be a traitor, you would undoubtedly prove one if left to yourself."
- "We are the most oriented city on the planet. There is no body of water that cannot be crossed by bridge or tunnel."
Character Development
Charles Wallace: His confidence in his unique mental abilities becomes his downfall as he is overtaken by IT, revealing the limits of intellectual strength alone.
Meg: Her emotional response to Charles Wallace's transformation highlights her deep connection to her brother and her resistance to the emotionless conformity of Camazotz.
Calvin: Shows leadership when Charles Wallace falls, trying to protect Meg and maintain their mission.
Literary Elements
- Dystopia: Camazotz embodies classic dystopian elements—enforced conformity, surveillance, and elimination of individualism.
- Mind Control: The telepathic influence of IT and the man with red eyes represents ideological indoctrination.
- Hubris: Charles Wallace's overconfidence in his abilities demonstrates the classical tragic flaw of hubris.
Discussion Questions
- How does the "perfect" city of Camazotz compare to other dystopian societies in literature?
- What makes Charles Wallace particularly vulnerable to IT's control despite his intelligence?
- What does the man with red eyes mean when he says there is "no body of water that cannot be crossed by bridge or tunnel"?
- How does this chapter explore the relationship between comfort/security and freedom/individuality?
Chapter 8: The Transparent Column
Summary
The possessed Charles Wallace leads Meg and Calvin through a long corridor to a room with transparent cylindrical columns. Their father is imprisoned in one of these columns, frozen in mid-motion. Charles Wallace, speaking with IT's voice, explains that Mr. Murry tessered to Camazotz by accident and has been imprisoned for not submitting to IT. When Meg frantically calls out to her father, Charles Wallace threatens to imprison her and Calvin as well. Calvin tries to break Mr. Murry free by ramming the column but fails. Charles Wallace leaves them with his father while he reports back to IT. Despite the column appearing completely sealed, Meg discovers she can push through it. She enters and embraces her father, who recognizes her instantly. Mr. Murry is stunned by how much time has passed and by Meg's presence. Calvin joins them inside the column, and together they plan to rescue Charles Wallace and escape. Mr. Murry, though physically weakened by his imprisonment, attempts to tesser with Meg and Calvin. However, Charles Wallace returns before they can complete their plan, still under IT's control, and mocks their escape attempt.
Analysis
This chapter represents the bittersweet fulfillment of Meg's primary goal—finding her father—while introducing the new complication of saving Charles Wallace. The transparent column symbolizes the illusion of separation; what appears to be an impenetrable barrier can actually be passed through with determination. Mr. Murry's physical weakness despite his scientific knowledge shows the limits of conventional intelligence against the power of IT. The chapter subverts the typical rescue narrative: instead of the father saving the children, the children must help save both the father and the youngest child, challenging traditional parent-child dynamics.
Key Quotes
- "Father! Father!" (Meg's cry upon seeing Mr. Murry)
- "Don't you recognize me? I'm Charles Wallace!"
- "I've been waiting for you, Meg." (Mr. Murry)
- "You see, IT's not used to thinking about people not in rhythm with IT."
Character Development
Mr. Murry: Appears physically diminished by his captivity but mentally resilient, challenging the image of the all-powerful father Meg had been seeking.
Meg: Faces the disillusionment of finding her father unable to solve all problems instantly, forcing her toward greater self-reliance.
Charles Wallace (under IT's control): Shows a cruel, mocking side completely foreign to his true nature, highlighting the horror of his possession.
Literary Elements
- Symbolism: The transparent column represents artificial barriers that can be overcome with determination.
- Subverted Expectation: The reunion with Mr. Murry doesn't resolve their problems but instead introduces new complications.
- Dramatic Irony: The reader knows Charles Wallace is possessed while Mr. Murry does not understand what has happened to him.
Discussion Questions
- How does finding her father change Meg's understanding of herself and her mission?
- What might the transparent column symbolize beyond its literal function as a prison?
- How does L'Engle challenge traditional rescue narratives in this chapter?
- What does Mr. Murry's weakness suggest about the nature of the battle against IT?
Chapter 9: IT
Summary
Charles Wallace leads Meg, Calvin, and Mr. Murry to the central dome where IT resides. IT appears as a disembodied, pulsing brain controlling all of Camazotz. Charles Wallace, still possessed, tries to persuade them to surrender to IT's mind control. When they resist, IT begins to probe their minds directly, creating a powerful, hypnotic pulsation that nearly overwhelms them. Calvin and Mr. Murry fight against the mental assault by reciting poetry, the Gettysburg Address, and the periodic table—anything with rhythm different from IT's pulsing. Meg tries to reach Charles Wallace by reminding him of their family and love, but fails. In desperation, Mr. Murry decides they must escape immediately and leave Charles Wallace behind temporarily. He forcibly tessers with Meg and Calvin, despite Meg's hysterical protests about abandoning her brother. The hasty tessering is rough and dangerous, leaving Meg feeling betrayed by her father's decision.
Analysis
This chapter presents the climactic confrontation with the novel's primary antagonist, revealing IT as a literalization of groupthink and conformity—a giant brain without a heart. The characters' resistance through poetry, literature, and science represents how individuality, creativity, and knowledge can combat totalitarian control. Mr. Murry's decision to leave Charles Wallace behind presents the central moral dilemma of choosing between saving some or risking all. His imperfect tessering shows that even with scientific knowledge, Mr. Murry lacks the spiritual power of the Mrs. Ws, highlighting the novel's theme that science alone cannot solve all problems.
Key Quotes
- "Behind them the voice of IT spoke again. 'You see, on this planet everything is in perfect order because everybody has learned to relax, to give in, to submit.'"
- "We were sent to rescue him because Father couldn't manage it alone. Charles Wallace is part of the plan, too."
- "We can't leave Charles Wallace!" (Meg's desperate cry)
- "And this tonic chord shall sound/From our lips with healthful fire!" (Calvin's poetic resistance)
Character Development
Meg: Experiences profound betrayal when her father seemingly abandons Charles Wallace, shattering her idealized image of her father as all-powerful.
Mr. Murry: Revealed as a man who makes difficult moral choices that hurt those he loves, challenging the perfect father figure Meg has imagined.
Calvin: Shows strength by creating mental resistance through poetry and literature, demonstrating the power of language against mind control.
Literary Elements
- Physical Manifestation of Concept: IT as a giant brain represents the elevation of intellect divorced from emotion and individuality.
- Pulsing Rhythm: The hypnotic rhythm symbolizes conformity and the loss of individual thought patterns.
- Moral Dilemma: The impossible choice of leaving one behind to save many presents a classic ethical problem.
Discussion Questions
- What does IT represent in terms of social and political systems in our world?
- Is Mr. Murry's decision to leave Charles Wallace behind justified? Why or why not?
- How do the characters' methods of resistance (poetry, mathematics, etc.) relate to their personalities?
- What does this chapter suggest about the relationship between intellect and emotion?
Chapter 10: Absolute Zero
Summary
Mr. Murry's desperate tessering brings them to a gray planet called Ixchel, but the journey is particularly traumatic for Meg. She materializes separately from Calvin and her father, feeling frozen "below absolute zero." Physically ill from the difficult tessering, Meg becomes bitter and resentful toward her father for botching the rescue and leaving Charles Wallace behind. As she struggles to move in the frigid conditions, strange tentacled creatures discover her. Despite their alarming appearance, these beings are gentle and caring. They take Meg to a dwelling where she is reunited with Calvin and Mr. Murry. The tentacled beings—who communicate telepathically and have no eyes—provide nurturing care for Meg's physical and emotional wounds. One creature, whom Calvin names "Aunt Beast," explains that they are all on a planet within the darkness but still fighting against it. Meg gradually recovers physically but remains emotionally distraught about Charles Wallace. The chapter ends with Meg realizing that she must return to Camazotz herself to save her brother.
Analysis
This chapter provides a healing interlude after the confrontation with IT while establishing Meg's growing independence and responsibility. The contrast between IT and the gentle inhabitants of Ixchel shows different forms of mind-to-mind connection: one controlling and dominating, the other nurturing and respectful. The eyeless but deeply perceptive creatures represent the theme that true seeing comes from the heart rather than physical sight. Meg's anger at her father marks her transition from childlike dependence to mature understanding of adult limitations. The "below absolute zero" state symbolizes Meg's emotional devastation at losing Charles Wallace and her disillusionment with her father.
Key Quotes
- "Like and equal are still not the same thing."
- "We do not know what things look like. We know what things are like."
- "Oh, Father, she thought, where did you go? Why did you leave me here alone?"
- "We look not at the things which are what you would call seen, but at the things which are not seen."
Character Development
Meg: Undergoes significant growth as she moves through anger and disillusionment toward acceptance of responsibility for Charles Wallace.
Aunt Beast and the Ixchel creatures: Represent unconditional nurturing that helps Meg heal both physically and emotionally.
Mr. Murry: Revealed as fallible and limited despite his scientific knowledge, forcing Meg to see him as human rather than heroic.
Literary Elements
- Juxtaposition: The cold grayness of the planet contrasts with the warm nurturing of its inhabitants.
- Symbolism: The creatures' lack of eyes represents seeing with the heart rather than physical sight.
- Paradox: "Below absolute zero" represents an emotional state beyond what should be physically possible.
Discussion Questions
- How do the beings on Ixchel differ from IT in their approach to mind-to-mind connection?
- What does Aunt Beast mean when she says, "We look not at the things which are what you would call seen, but at the things which are not seen"?
- Why might Meg's anger at her father be an important step in her development?
- How does this chapter explore different ways of "seeing" and understanding others?
Chapter 11: Aunt Beast
Summary
Meg continues her recovery on Ixchel under Aunt Beast's care. The tentacled beings, who call themselves Beasts, provide healing food and comfort. When the Mrs. Ws suddenly materialize on Ixchel, Meg initially struggles to explain them to the eyeless Beasts, who cannot understand the concept of seeing or physical appearance. Mrs. Which explains that they came because they sensed the children were in danger. Mr. Murry describes their confrontation with IT and their narrow escape. The Mrs. Ws reveal that Charles Wallace is completely under IT's control and that the situation has become more desperate. When discussing how to rescue him, the Mrs. Ws explain that they cannot return to Camazotz because their light makes them too vulnerable to the darkness. Mrs. Which makes the shocking declaration that Meg must return alone to save Charles Wallace. Although terrified, Meg gradually accepts this responsibility, realizing that her connection to Charles Wallace makes her the only one who can save him. The Mrs. Ws prepare to tesser Meg back to Camazotz, giving her encouragement but no specific instructions on how to defeat IT.
Analysis
This chapter marks Meg's acceptance of her heroic role and her growing maturity. The inability of the Beasts to understand sight or appearance highlights the novel's theme that external appearance is less important than true understanding. Meg's journey from dependence on her father to accepting her own heroic mission represents her coming-of-age. The chapter emphasizes that love and personal connection (Meg's bond with Charles Wallace) are more powerful weapons against evil than intelligence or physical strength. The Mrs. Ws' inability to directly confront IT illustrates that different kinds of strengths are needed for different challenges.
Key Quotes
- "We do not understand what this means, to see."
- "There is nothing that can be done at this time except by you, Meg."
- "Only you can go, small one. Only you know all the desperate urgency of the journey."
- "But I can't go alone," Meg said. "I'll be afraid."
Character Development
Meg: Accepts her heroic responsibility despite her fear, showing significant growth in confidence and self-reliance.
The Beasts: Their inability to understand sight or physical appearance reveals their different but equally valid way of perceiving reality.
The Mrs. Ws: Act as mentors who recognize that they must step back and allow Meg to complete the mission on her own.
Literary Elements
- Hero's Journey: Meg's reluctant acceptance of her quest follows the classic hero's journey structure.
- Wisdom Figures: The Mrs. Ws fulfill the archetypal role of wise guides who cannot complete the hero's task for them.
- Symbolism: The eyeless but perceptive Beasts represent understanding that transcends physical sight.
Discussion Questions
- Why must Meg go alone to save Charles Wallace? What makes her uniquely qualified for this task?
- How do the Beasts' limitations in understanding sight relate to the novel's themes about perception?
- What does Meg's journey from resistance to acceptance reveal about her character development?
- How does this chapter explore different types of strength and weakness?
Chapter 12: The Foolish and the Weak
Summary
Meg tessers back to Camazotz alone, arriving directly in the building where IT resides. She finds Charles Wallace sitting with a blank expression, completely controlled by IT. As she approaches him, she feels IT's hypnotic rhythm trying to overtake her mind. Meg searches desperately for a weapon against IT, remembering the gifts from the Mrs. Ws. She realizes that Mrs. Who's glasses and quotes are of no help against IT's mental assault. As IT works to subsume her consciousness, Meg remembers her final gift: Mrs. Whatsit had given her love. Meg suddenly understands that her greatest weapon is her ability to love Charles Wallace—something the cold, intellectual IT cannot comprehend or replicate. Despite Charles Wallace's mechanical rejection, Meg embraces him and expresses her unconditional love. This emotional connection breaks IT's control over Charles Wallace, who gradually returns to himself. The two siblings escape Camazotz by tessering back to Ixchel, where they reunite with Calvin and Mr. Murry. The Mrs. Ws congratulate them on their victory and return them all safely to Earth and the Murry home, where time has barely passed despite their cosmic journey.
Analysis
The final chapter provides both the climax and resolution of the novel, with Meg's discovery that love—particularly her imperfect, stubborn, emotional love—is the one force that can overcome the cold rationality of IT. L'Engle's central message emerges clearly: love transcends intellect as a force for good in the universe. The title of the chapter references the biblical quote given earlier by Mrs. Who—"the foolish and weak things of the world shall confound the wise and mighty"—highlighting that Meg's perceived weaknesses (her emotional intensity and stubbornness) become her greatest strengths. The resolution brings the story full circle, returning the Murrys to their starting point but fundamentally changed by their experiences.
Key Quotes
- "But I do love him! Charles Wallace, you are my brother and I love you!"
- "That was IT's power: IT could make her believe anything IT wanted her to believe."
- "Mrs. Whatsit hated me because I'm not beautiful...Mrs. Whatsit loves me. That's what she told me, that she loves me."
- "Like and equal are two entirely different things!"
Character Development
Meg: Completes her heroic journey by embracing her emotional nature rather than trying to overcome it, discovering strength in vulnerability.
Charles Wallace: Rescued from IT's control, maintaining his unique identity despite the powerful forces that attempted to subsume it.
Mr. Murry: Returns home humbled by the experience, his scientific knowledge proven valuable but insufficient without the emotional wisdom Meg displays.
Literary Elements
- Climactic Reversal: What appeared to be Meg's greatest weakness—her emotional intensity—becomes her greatest strength.
- Biblical Allusion: The chapter title refers to 1 Corinthians 1:27, reinforcing the theme that conventional strength may not be true strength.
- Resolution: The return home completes the circular journey but with characters transformed by their experiences.
Discussion Questions
- How does Meg's "weapon" against IT relate to the novel's overall themes?
- What does the novel ultimately suggest about the relationship between intellect and emotion?
- Why is love specifically effective against IT's form of evil?
- How have the characters been transformed by their journey, even though they return to where they started?
Overall Book Analysis
Major Themes
Individuality vs. Conformity
L'Engle presents conformity as a form of evil through the controlled society of Camazotz and the possession of Charles Wallace. The novel champions individuality, with Meg's uniqueness—even her flaws—ultimately becoming her strength. The repeated phrase "like and equal are not the same thing" encapsulates this theme, suggesting that true equality comes from valuing differences rather than eliminating them.
Science and Spirituality
The novel merges scientific concepts (the tesseract, dimensions) with spiritual and metaphysical elements (cosmic good and evil, guardian angels). L'Engle suggests that both approaches are necessary and complementary, with science explaining how the universe works while spirituality addresses why. Mr. Murry's scientific knowledge proves insufficient without the spiritual guidance of the Mrs. Ws and Meg's emotional wisdom.
The Power of Love
Love emerges as the most powerful force in the universe, capable of transcending space, time, and even the powerful mind control of IT. Meg's love for Charles Wallace accomplishes what intellect, physical strength, and science cannot. The novel suggests that love is the fundamental organizing principle of the universe, with the stars and celestial beings all participating in a cosmic battle of love against darkness.
Appearance vs. Reality
Throughout the novel, appearances are consistently deceptive: the eccentric old ladies are actually celestial beings, the seemingly perfect society of Camazotz hides profound evil, and the frightening-looking Beasts are gentle and nurturing. The eyeless Beasts who "see" more clearly than those with eyes represent the novel's message that true perception comes from the heart rather than external senses.
Character Analysis
Meg Murry
Meg's journey from insecurity to self-acceptance forms the novel's primary arc. Initially viewing her stubbornness, emotionality, and impatience as flaws, she ultimately discovers these qualities constitute her strength. Her transformation is not about changing these traits but embracing them as essential to her unique identity and purpose. Meg represents L'Engle's message that our perceived weaknesses may actually be our greatest gifts.
Charles Wallace Murry
Charles Wallace represents both extraordinary potential and vulnerability. His precocious intelligence and intuitive abilities make him special but also target him for IT's control. His character suggests that exceptional gifts require protection and guidance. His possession by IT demonstrates how even the most brilliant mind can be corrupted when disconnected from emotional anchors like family and love.
Calvin O'Keefe
Calvin represents social adaptability and verbal communication, complementing Meg's scientific thinking and Charles Wallace's intuition. His immediate connection with the Murrys reveals his search for authentic belonging beyond superficial popularity. His role as mediator between the Murrys and others symbolizes bridging different worlds and perspectives.
The Mrs. Ws
Mrs. Whatsit, Mrs. Who, and Mrs. Which represent different aspects of wisdom. Mrs. Whatsit (the youngest at a mere 2 billion years) embodies joy and wonder; Mrs. Who represents the wisdom of global and historical human knowledge; and Mrs. Which embodies ancient cosmic authority. Together they suggest that wisdom comes in various forms and from diverse sources.
IT
As the novel's antagonist, IT represents intellect divorced from emotion—a cold, calculating mind seeking absolute control. IT symbolizes authoritarian systems that value order and conformity over freedom and individuality. IT's pulsing rhythm represents the hypnotic allure of giving up personal responsibility for comfortable sameness.
Literary Techniques
Genre Blending
L'Engle pioneered a distinctive blend of science fiction, fantasy, and coming-of-age narrative. The scientific concepts provide plausibility, while the fantastic elements allow for exploration of spiritual and philosophical themes beyond the limits of realism.
Christian Allegory
While not exclusively Christian, the novel incorporates biblical references and themes, particularly the cosmic battle between light and darkness and the power of sacrificial love. However, L'Engle's inclusion of figures from various religions and disciplines as "warriors of light" suggests a more inclusive spiritual vision.
Sensory Imagery
L'Engle uses vivid sensory descriptions to help readers experience unfamiliar worlds and concepts. From the oppressive rhythm of Camazotz to the "below absolute zero" cold Meg experiences, physical sensations communicate abstract concepts effectively.
Contrasting Worlds
Each planet visited represents different aspects of society or consciousness: Earth (familiar but imperfect), Uriel (natural beauty and harmony), Camazotz (conformist dystopia), and Ixchel (nurturing community that values difference). These worlds create a moral geography that physically manifests psychological and social concepts.
Historical Context
Published in 1962 during the Cold War, "A Wrinkle in Time" reflects anxieties about conformity and totalitarianism. The mechanistic society of Camazotz evokes fears of communism but also critiques aspects of American conformity during the 1950s. The novel's concern with nuclear annihilation (stars destroying themselves fighting the Black Thing) reflects atomic age anxieties.
L'Engle wrote against the grain of 1960s science fiction, which was predominantly secular and male-oriented. Her integration of spiritual themes, family dynamics, and a female protagonist broadened the genre's scope. Initially rejected by numerous publishers partly because it defied easy categorization, the novel eventually became a beloved classic that helped establish young adult literature as a serious category.
Enduring Significance
"A Wrinkle in Time" remains relevant for its complex exploration of individuality versus conformity, particularly resonant in our age of social media and digital groupthink. Its female protagonist, revolutionary in 1962, continues to inspire readers with her journey from self-doubt to self-acceptance. The novel's integration of scientific concepts with spiritual concerns offers a framework for reconciling these often-separated domains.
L'Engle's vision of a universe where love is the fundamental force and where perceived weaknesses become strengths continues to provide hope and insight. The novel's central message—that diversity of thought and being is essential to combating darkness—remains as urgent today as when first published.
Discussion Questions for the Complete Novel
How does L'Engle use science fiction elements to explore moral and spiritual questions?
What role does family play in the novel? How do family bonds both limit and empower the characters?
Compare the different forms of mind-to-mind connection in the novel: IT's control, Charles Wallace's intuition, the Beasts' telepathy, and Meg's emotional connection to her brother. What distinguishes harmful from beneficial mental connections?
Meg's flaws become her strengths throughout the story. How does this transformation challenge conventional notions of heroism?
How does L'Engle's portrayal of evil as "the Black Thing" and IT relate to historical and contemporary manifestations of evil?
Discuss the significance of the novel's title. How does the concept of "wrinkling" or tessering serve as both a scientific concept and a metaphor?
How does L'Engle balance religious and scientific perspectives in the novel? Are these presented as complementary or in tension?
What does the novel suggest about the relationship between conformity, security, and freedom? How might these themes apply to contemporary society?
In what ways is "A Wrinkle in Time" both a personal journey for Meg and a cosmic battle between good and evil? How do these two levels of the story relate to each other?
Why has this novel remained popular for decades? What aspects of its themes, characters, or message continue to resonate with modern readers?