How to Make Roman Shades: Transforming Windows with Timeless Elegance
Windows dressed in Roman shades possess an understated sophistication that transcends fleeting design trends. Unlike their fussier cousins—the ruffled valance or the dust-collecting horizontal blind—Roman shades offer clean lines and functional beauty that has graced windows since, well, ancient Rome. But here's what most DIY tutorials won't tell you: making these shades yourself isn't just about following measurements and cutting fabric. It's about understanding the subtle dance between fabric weight, cord tension, and the peculiar physics of pleated material.
I stumbled into shade-making quite by accident. My grandmother's sewing room had a window that faced directly into the neighbor's kitchen, and she needed something more substantial than the threadbare curtains hanging there. Store-bought options were either prohibitively expensive or disappointingly flimsy. So we decided to figure it out ourselves, armed with nothing but her ancient Singer machine and a healthy dose of stubbornness.
The Anatomy of a Well-Made Shade
Before diving into construction, let's talk about what makes a Roman shade actually work. At its core, you're creating a system of horizontal folds that stack neatly when raised. The magic happens through a combination of dowels (or battens), rings, cords, and a headrail. But the real secret? It's all in the lining choice and how you handle your seams.
Most people assume any fabric will do. They're wrong. I learned this the hard way when my first attempt—using a gorgeous but lightweight cotton print—sagged like a deflated balloon within weeks. The fabric you choose needs body, but not so much stiffness that it won't fold properly. Medium-weight decorator fabrics work best, though I've had surprising success with canvas drop cloths from the hardware store (don't knock it until you've tried it).
Gathering Your Arsenal
You'll need more than just fabric and good intentions. Here's what actually matters:
- Fabric for the face (the pretty side)
- Lining fabric (blackout lining if you're serious about sleep)
- Plastic rings or Roman shade tape
- Dowels or fiberglass rods (⅜" diameter works for most applications)
- Cord (the thin nylon kind, not the thick drapery cord)
- A headrail (a simple 1x2" board will do)
- Screw eyes
- A cleat for securing the cords
- Velcro or another mounting system
Now, about that Roman shade tape—it's a relatively new invention that combines the rings and dowel pockets into one neat strip. Purists might scoff, but I've converted to using it on most projects. It saves hours and creates more consistent folds.
The Mathematics of Beauty
Here's where things get interesting. The spacing of your dowels determines how your shade will look when raised. Too close together, and you'll get tiny, fussy folds that look overwrought. Too far apart, and the shade droops unattractively. The sweet spot? For most windows, I space dowels 8-10 inches apart, though I'll go as close as 6 inches for very tall windows.
Calculating fabric requirements involves more than just measuring your window. You need the finished width plus 3 inches for side hems, and the finished length plus 12-15 inches for the header, hem, and what I call "fudge factor"—because fabric never behaves exactly as you expect.
Construction: Where Theory Meets Reality
Start by cutting your face fabric and lining to size. Here's a trick I picked up from a professional workroom: cut your lining ½ inch narrower and 1 inch shorter than your face fabric. This prevents the lining from peeking out around the edges—a dead giveaway of amateur work.
Sew the face and lining together along the sides with a ½-inch seam allowance. Turn right side out and press, making sure the lining is centered so you have equal amounts of face fabric showing on each edge. This creates a self-binding that looks infinitely more professional than raw edges turned under.
The bottom hem needs weight. I mean this literally—you want a metal weight bar or a thick dowel in there to help the shade hang properly. Create a pocket at least 2 inches deep, slide in your weight bar, and hand-stitch the ends closed.
The Ring Game
Whether you're using Roman shade tape or individual rings, placement is crucial. Rings should align vertically in perfectly straight columns. I mark these lines with chalk after pressing the shade flat. The outer columns should be 2-3 inches from the edges, with additional columns spaced evenly across the width. For shades wider than 40 inches, you'll want at least three columns; wider than 60 inches needs four or more.
If you're sewing rings individually (the traditional method), use a sturdy hand stitch and go through all layers. Yes, it's tedious. Yes, your fingers will hurt. But machine-stitched rings have a nasty habit of popping off under tension.
Stringing: The Part That Makes Grown Crafters Cry
Threading the cords through the rings seems simple enough until you're actually doing it. Start at the bottom ring of each column, tie a secure knot (I prefer a bowline, but any non-slip knot works), and thread upward through each ring. Leave plenty of extra cord at the top—at least the width of the shade plus 12 inches.
Here's what nobody tells you: the cords need to run through screw eyes attached to your headrail in a specific pattern. All cords should exit on the same side (your choice, but traditionally the right side). This means the leftmost cord travels the farthest, threading through every screw eye across the top.
The Mounting Revelation
Mounting options have evolved beyond the basic "screw it to the window frame" approach. Inside mount looks cleanest but requires precise measurements and perfectly square windows (spoiler: most windows aren't perfectly square). Outside mount forgives a multitude of sins and makes your windows appear larger.
I've become a convert to using industrial-strength Velcro for mounting. One strip goes on your headrail, the other on your mounting surface. It's strong enough to hold substantial shades but allows for easy removal for cleaning. Plus, it eliminates the sagging that sometimes occurs with traditional bracket mounting.
Fine-Tuning and Troubleshooting
Your first pull on those cords will likely result in disappointment. The shade will probably rise unevenly, with one side racing ahead of the other. This is normal. Adjust the cord lengths until the shade rises level. I tie temporary knots at the desired positions, operate the shade several times to ensure smooth movement, then tie permanent knots and trim the excess.
Common problems and their solutions:
If the shade won't stay up, your cords are probably too slick. A drop of clear nail polish on each knot increases friction just enough. If folds are uneven, check that your dowels are perfectly parallel and your ring columns are straight. If the shade lists to one side, one of your cords is shorter than the others.
The Finishing Touches That Matter
A proper cleat, mounted at a comfortable height, keeps your cords tidy and your shade secure. Wrap the cords in a figure-eight pattern—it's not just aesthetic, it prevents tangling.
Consider adding a valance or cornice board to hide the headrail. It's not necessary, but it does create a more polished look. I've made simple fabric-covered cornices from foam board for lightweight shades, though wood gives better results for heavier treatments.
Beyond Basic: Advanced Techniques
Once you've mastered the standard Roman shade, variations await. Relaxed Roman shades have a permanent swag at the bottom—achieve this by omitting the bottom dowel and using less rigid fabrics. Hobbled shades create a waterfall effect with permanent soft folds, requiring twice as much fabric but delivering serious visual impact.
For the truly ambitious, consider adding contrasting banding, incorporating trim, or creating shaped bottoms. I once made shades with scalloped hems for a client's breakfast nook—fiddly to construct but absolutely worth the effort.
The Reality Check
Let me be honest: your first Roman shade probably won't be perfect. Mine certainly wasn't. The folds were uneven, the cords tangled constantly, and it took three people to hang it straight. But here's the thing—even an imperfect handmade shade has more character than mass-produced alternatives.
The process teaches you about fabric behavior, mechanical systems, and the importance of precision. Plus, there's something deeply satisfying about creating a functional piece of home decor with your own hands. Every time you raise or lower that shade, you're interacting with your handiwork.
Making Roman shades isn't just about following instructions—it's about understanding why each step matters and how the components work together. Once you grasp these principles, you can adapt the technique to any window, any fabric, any style. That's when it stops being a craft project and becomes a skill.
The windows in my home now sport various iterations of Roman shades, each one slightly better than the last. They're not all perfect, but they're all mine. And that neighbor's kitchen my grandmother wanted to block out? Still can't see it, twenty years and counting.
Authoritative Sources:
Singer Sewing Reference Library. The Complete Photo Guide to Window Treatments. Second Edition. Creative Publishing International, 2011.
Babylon, Donna. The Encyclopedia of Window Fashions. Charles Randall Inc., 2009.
Cornell University Cooperative Extension. "Window Treatment Basics." Department of Design and Environmental Analysis, Cornell University, 2008. http://hdl.handle.net/1813/3589
U.S. General Services Administration. "Window Treatments for Historic Buildings." GSA Public Buildings Service, 2016. https://www.gsa.gov/historic-buildings
Yates, Maryanne. Professional Sewing Techniques for Designers. Second Edition. Bloomsbury Publishing, 2016.